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    • LE DÉFI DES BÂTISSEURS - LA CATHÉDRALE DE STRASBOURG

      Bonjour A tous,

      Si vous avez raté ça il vous reste quelques jours pour le regarder en replay. 👍 👍

      LE DÉFI DES BÂTISSEURS - LA CATHÉDRALE DE STRASBOURG
      Plus haut monument de l'Occident jusqu'au XIXe siècle, la cathédrale de Strasbourg, joyau gothique, relève à la fois du rêve démesuré et de la prouesse architecturale. Comment, au Moyen Âge, un tel prodige a-t-il été possible ? Derrière son élégante façade de grès rose et sa célèbre rosace qui s'embrase au crépuscule, se sont succédés pendant trois siècles des maîtres d'oeuvre visionnaires et inspirés - Erwin de Steinbach, Ulrich d'Ensingen ou encore Jean Hültz - et des artisans au savoir-faire envié dans l'Europe entière. Lesquels revivent ici dans des séquences de fiction. Une épopée qui mêle mystères, doutes et révélations, intrigues et tragédies.

      Date de première diffusion :
      Sam., 15 déc. 2012, 20h50

      Date(s) de rediffusion :
      Mercredi, 26 décembre 2012, 15h15

      Replay:
      http://videos.arte.tv/fr/videos/le-defi-des-batisseurs-la-cathedrale-de-strasbourg--7115444.html

      Voir aussi le Making-of
      http://videos.arte.tv/fr/videos/le-defi-des-batisseurs-making-of--7116848.html

      +++ simon

      PS, zut de zut j'ai raté de vous signaler le génial film que Arte a diffusé sur Oscar Niemeyer, l'architecte de Brasilia 😞

      posted in Français
      simon le bonS
      simon le bon
    • RE: Sculpt using UVs and displacement maps

      @unknownuser said:

      @Simon :look my little videos about Simofonia: and try the free version, you don't regreat it! (in French ze vidéos! 😉
      Menu Divers / Simfonia
      It's a very funny Plugin! 👍

      Hi Pilou

      Hope you feel good. 😄
      Thank you to have driven my attention on this plugin. As you had surely thought, I am naturally very interested on the ability to achieve camera and crane movements, but also models animations through SketchUP. I have watched your 2 firsts videos: instructive & simple but funny also (the steamroller compressed 😆 )

      (I'm very upset that Macgile have given up with the development of CameraKeyMaker. Drawing a 3d curve as a pilot for the camera was a brilliant and efficient idea.. I don't know if it is possible to do the same with Simfonia)

      I would like to take this occasion, because your link leads to a site dedicated to MOI, to say to you how these videos are nice and inspirationnal (+ Faits divers dans Pilou_maison). I have made some learning of Moi, Moment of inspiration (Alternate trial version (No expiration but save disabled)) mainly by the help of these videos.

      +++Simon.

      posted in Corner Bar
      simon le bonS
      simon le bon
    • RE: Sculpt using UVs and displacement maps

      @michaliszissiou said:

      @Simon.
      What production now? These are just 10 mins doodles.
      We may be more clever than others involved into 3d VideoGaming industry. You never know LOL
      we can understand maths, thus, we can understand what displacement, as a sculpting method, means. Though Zbrush is dedicated on this method.
      Sorry to say this, but I mean it.

      "What production now? These are just 10 mins doodles."
      I Michalis, I see you actually engaged in a certain waywardness mood. And even if I miss the context implicated I'm sure you have some good reasons for.

      Apart that, no matter the time passed and the effort/difficulty (I know the simple use of displacement maps 😉 😞 everything you touch by sculpting , by computer modelling etc comes artistically interesting / beautiful.

      See that Gothic/Futuristic building!!
      I would really like to see it constructed in a real place. I feel it

      https://dl.dropbox.com/u/24090090/goth1H.jpg

      (Well, I can also understand that it is annoying in a certain way to receive compliments too simple and direct)

      Staying aware of your "productions"
      ++ simon.

      posted in Corner Bar
      simon le bonS
      simon le bon
    • RE: What will SketchUp Free and Pro look like in 2013?

      We are many to talk around one thing I would like to clearly define.

      All these free essential plugins that make Su free and pro an efficient software nowadays give us some rights on it. The trainings and tutorials that are given for free also give us some rights on it. The all splendid models that are shared for free with often their invaluable making-of give some rights on it.

      No contract, no paper signed. But
      SketchUP now belongs for a significant part to its users community.

      If tomorrow the users community leave the scene bringing back their skill, their enthusiasm, their models, their plugins, what is going to remain? just a poor overpassed genie soft.

      That situation can happen if a significant free version is discontinued, if the community is disconnected from the upgrades.
      And yes there are things really more awful to digest that happen in the world every day..

      simon.

      posted in SketchUp Discussions
      simon le bonS
      simon le bon
    • RE: Sculpt using UVs and displacement maps

      Hi Michalis,

      I am completely fan of these productions

      my best, Simon.

      posted in Corner Bar
      simon le bonS
      simon le bon
    • RE: Arbaro tree generator

      Hi Peter,

      Are you aware of Blender Tree Generator ?
      Simple and very powerful.

      Making Trees in blender

      How to Create Stunning Trees in Blender

      Blender exists as a portable version that you can put and remove in a clean clic. So it is simple to try it..

      ++ simon

      posted in Newbie Forum
      simon le bonS
      simon le bon
    • RE: What will SketchUp Free and Pro look like in 2013?

      Good morning to all

      @dave r said:

      So Simon, I wonder if you would be willing to do your job without pay. You ask that of the SketchUp team. You must be willing to do the same.

      Dear Dave, 😄
      What I mean is that SketchUp software need greatly first to "reduce the wide gap" between itself and the leading business solutions.Somehow it is also true that the SketchUp development process must "regain our faith".
      Anyway SketchUp Pro is currently a paid solution and therefore represents already seems to me a source of income that allowed the team to be paid for his work

      @mike lucey said:

      Simon, I understand where you are coming from but the point you raise that the SU Team would use and cash in on others work might happen in 'widening the gap'. I very much doubt this would occur.

      John Bacus, from my memory, mentioned at 3DBC that if they saw plugins that they thought should be brought into SU they would be willing to do business with the developers. This might not be exactly what he said but I think its the gist of what was intended.

      Dear Mike, 😄

      How many essential tools perfectly designed should be implemented in SketchUp, often in replacement of existing tools? 15, .., 25? I can't imagine that Trimble will pay for such a large amount of ultra talented code which is actually "given for nothing", nor they will waste their time to "reinvent" the same tools! ...It is therefore predictable that it is with these free stuff that Trimble will make runing an expensive paid version.

      On the other hand, the idea to develop specific paid modules seems however, quite acceptable. And this is something that is already developed nicely by many third parties

      @mike lucey said:

      Whatever way one cuts it, Sketchup has always appreciated its community of users and has maintained contact and ongoing collaboration. I very much doubt ACad users are on a first name basis with the developers and that the developers enter the 'lion's den' on occasion to be inflicted some bites and bruses 😉

      I agree with you on that essential point. The close collaboration between development team and the community of users is a main richness of SketchUp. This is why (imo) it is essential for Trimble to be finely careful to keep this alive.

      @gaieus said:

      @bob james said:

      One mode of advancement would be to do nothing to the free version and put all of the advancements into the pro version with specialty modules (rather than whole versions) that can be purchased separately.

      @mike lucey said:

      ...John Bacus, from my memory, mentioned at 3DBC that if they saw plugins that they thought should be brought into SU they would be willing to do business with the developers. This might not be exactly what he said but I think its the gist of what was intended...

      And they did that already for the stl exporter in the latest maintenance release (used ideas from two 3rd party plugins - one was that of Jim actually)

      Dear Gaieus, 😄

      I like your dispassionate synthesis.
      I'm confident that SketchUp team and John Bacus in the first place under the Google coverage before that of Trimble right now has always worked in a good spirit. And they have done and actually do what they can with what they are given.

      I hope the best for the futur of SketchUp,
      I would like to still have my place as a passionate hobbyist in that futur...

      with my sympathy,

      Simon

      posted in SketchUp Discussions
      simon le bonS
      simon le bon
    • RE: What will SketchUp Free and Pro look like in 2013?

      Hi free world!
      excuse me in advance, here is to come a long post for my bad English.

      I wonder if the issue is properly raised.
      As I see it, I think the real question is: Is SketchUP can be a real professional software.

      SketchUP is brilliant, full of talent, but it is constrained by its architecture at least on two unavoidable points.
      First, SketchUp is unable to handle very large volumes of data. Yet it is the norm in today's industrial world.
      Secondly, in today's world every creation comes through with curves. SketchUp can't do other than curves composed with straight lines. That generates unacceptable errors when carrying out the plans.
      Would that for these two reasons, SketchUp can not hope to claim a truly professional status and have its place in the big league.
      To overcome this handicap I fear SketchUP achitecture have to be completely rethinked and thus the entire code completely rewrited.

      On the other hand, the main (and only) significant SketchUP advances have always come from the volunteer developers in the invention and development of new tools. What would SketchUp Pro look like today without them? Let there be no mistake, this is because of the use of tools developped by free developpers of the free side that the paid version is capable of displaying a wingspan of Pro.

      Widen the gap between the versions! Does it not mean "stealing code" to free developers to integrate their tools in the pro version?
      Is "widen the gap" is not going to push the developers to leave the scene? Indeed, why give for free when Trimble turns it into cash?

      I do not know what will happen in SketchUp. But I think that before the idea of driving people to pay, Trimble team should roll up their sleeves and work for free, and show us what they are capable of such feats they earn our respect. Then we can actually revisit.

      simonlebon

      posted in SketchUp Discussions
      simon le bonS
      simon le bon
    • RE: Happy Birthday Chris Fullmer.

      Happy birthday Chris ☀

      http://i274.photobucket.com/albums/jj245/Spendauballet/generalPicts/Chiendeguise.jpg

      simon

      posted in Corner Bar
      simon le bonS
      simon le bon
    • RE: [Plugin] Snapshot – (1.0.1) — updated 09.10.2012

      @driven said:

      I've been having a look at 'less' cutting edge editor's to see if I can get enough usable feature on a PC version.

      I'll PM the volunteers Giro + simon to test the basic concept using hard linked files with this template....

      About a week without any participation, I'm sorry. I'm always busy by waves.. Shall test and read the news this week end.

      ++simon

      posted in Plugins
      simon le bonS
      simon le bon
    • RE: [Plugin] TIG-Split_to_plane v1.1 20130107

      Dear Tig,

      This is the 101 eme tool links I bookmark coming from you !!!! 🎉 😄

      Each are useful, some are absolutely unavoidable, the suite tools are always stunning 👍 👍 👍

      Thank you for this new one +++

      Simon

      posted in Plugins
      simon le bonS
      simon le bon
    • RE: New blender sculpting is coming soon.

      @unknownuser said:

      Simon, I started reading Eugène-Emmanuel Viollet-le-Duc.
      It will take me some time and it seems very interesting.
      Thank you.

      Thank you to test this reading 😄
      As it is written in a manner of demonstrations, I'm afraid that it is difficult to read it in diagonal reading.
      I hope you will send me a comment if this book attracts you enough to read more than few sheets.

      @unknownuser said:

      (about Kenney Mencher) But when he comes to modern art, suddenly remembers all these. Good for him, it's never too late.

      Demonstration that an angry man can be at the same time a kind man 😉

      ++Simon.

      posted in Corner Bar
      simon le bonS
      simon le bon
    • RE: New blender sculpting is coming soon.

      Hi Michalis,

      I appologize if I have been unpleasant. It appears that your knowledge about art and art history is far lot more than I can personally pretend 😕 . So that you are the best positioned to help yourself by yourself.
      Your search is involving us (Peter and I), that's the reason why 😉

      In fact, I had thought to suggest you this reading since I have read myself this great man that have been Viollet-Le-Duc. If mine is little, his knowledge was incredibly vast and the scope of his work has revolutionized the history of art and architecture approach. But above all, he was a free thinker.
      That's why I'm not ashamed to offer you this reading.

      @unknownuser said:

      Si l’on considère qu’Eugène Viollet-le-Duc occupa la première chaire où figuraient explicitement les mots « histoire de l’art », il fut, en France, un des fondateurs de cette discipline. En se basant sur ces mêmes critères institutionnels, il faut toutefois constater que sa carrière de « professeur d’histoire de l’art et d’esthétique » fut remarquablement brève, limitée à sept leçons par le chahut de son auditoire.

      Read more on INHA.fr

      with my sympathy,

      Simon

      posted in Corner Bar
      simon le bonS
      simon le bon
    • RE: FAN model by

      Hi Nguyen,

      Congrats for these Fan models collection. The are really nice 👍 👍

      I have been visiting your Blog, and want to say that I have found it very active, attractive, and interesting ++ 👍 👍 😄 (Vietnamese language and some English words 😎 )

      example:

      http://winskyserinarchsketch.blogspot.fr/2012_08_01_archive.html

      Villa Savoye

      http://3.bp.blogspot.com/-VGdOQeZ5hYo/UDzhfeXHklI/AAAAAAAACuc/yzvBbwlptmQ/s1600/PIC+21.jpg

      http://1.bp.blogspot.com/-XXLx8Q3-M4M/UDzhMD599fI/AAAAAAAACuU/yXIfTiAVxc0/s1600/20120828193958_1h2m19s.jpg

      @unknownuser said:

      Villa Savoye (French pronunciation: [saˈvwa]) is a modernist villa in Poissy, in the outskirts of Paris, France. It was designed by Swiss architects Le Corbusier and his cousin, Pierre Jeanneret, and built between 1928 and 1931 using reinforced concrete.[3][4]

      A manifesto of Le Corbusier's "five points" of new architecture, the villa is representative of the bases of modern architecture, and is one of the most easily recognizable and renowned examples of the International style.

      Read more on wikipedia...

      Cheers,

      Simon

      posted in SketchUp Components
      simon le bonS
      simon le bon
    • RE: Little Church On The Hill

      Hi John 😄

      I'm fan too 👍

      I see since some of the last models that you manage very well the integration of the houses into landscapes with terrain variations. That's really great ++

      Else, a question: is the graveyard is a single complete 2d picture (grass and gravestones)?
      (is it so important to know: I'm not sure 😉 )

      ++simon

      posted in Gallery
      simon le bonS
      simon le bon
    • RE: [Plugin] Snapshot – (1.0.1) — updated 09.10.2012

      Thank you for the phone reply dear Ae.
      I see what I ignored that many plugins are installed into the registry. What happens if I delete a key? nothing annoying I guess. If the plugin is still in use, the key must be reloaded, am I right?

      Well forget this, I wish you a good trip in Boulder and a nice Basecamp 2012 with SCF friends 👍 👍 😄

      simon

      posted in Plugins
      simon le bonS
      simon le bon
    • RE: [Plugin] Snapshot – (1.0.1) — updated 09.10.2012

      Hey! very interesting perspectives engaged by Giro and Driven 👍
      +1 for Driven Icon Editor!

      As the increment feature still don't work for me, I have tried to delete the plugin and to reinstall it. I have been surprised by the fact that my previous settings are reloaded.

      That means that they are stored somewhere else, probably in a ini textfile (that I have not found).
      Can you please Aerilius elucidate this point ? May be from this comes my problem ?

      *s

      posted in Plugins
      simon le bonS
      simon le bon
    • RE: New blender sculpting is coming soon.

      Hi Peter,
      Kenny's site you propose to Michalis is a so great link 👍 👍
      (actually watching: "Early Ancient Greek Sculpture Part1 of 2"
      *s

      posted in Corner Bar
      simon le bonS
      simon le bon
    • RE: A Thread for Fine Design

      Hi Dale 😄

      I agree with you. The simplest is also my preferred 👍 ☀

      http://knstrct.com/wp-content/uploads/2012/07/Exotic-Retreats-Adventure-Travel-Vacations-African-Safari-9.jpg

      (Can we still call this "Design" ?)

      ++Simon

      posted in Corner Bar
      simon le bonS
      simon le bon
    • RE: New blender sculpting is coming soon.

      @michaliszissiou said:

      Recently, I have this idea, this obsession: a key to unlock this mystery; how ancient greek sculptors were approaching the shapes, the drawing.

      I would like to propose you the reading of the first chapters of a book written by a French architect very important by many means (see a little Googling 😉 ). It could be able to provide you some answers to the questions that you are actually asking for.
      The book is in two volumes. I have found the English translations by two different translators: the Henry Van Brunt one and the other by Benjamin Bucknall. I frankly do not know which is the best 😕

      Viollet-le-Duc, Eugène-Emmanuel, 1814-1879.

      http://i274.photobucket.com/albums/jj245/Spendauballet/generalPicts/viollet-le-duc-2-d362e.png

      (please use the download links All Files: HTTPS or the editable web page on Open Library. Because Google books don't offers them anymore)
      Discourses on architecture, translated from the French by Benjamin Bucknall.
      http://archive.org/details/lecturesonarchi01violgoog
      http://archive.org/details/lecturesonarchi02violgoog

      Discourses on architecture, translated from the French by Henry Van Brunt
      http://archive.org/details/discoursesonarc00violgoog

      http://i274.photobucket.com/albums/jj245/Spendauballet/generalPicts/DiscoursesOnArchitecture_001.jpg

      http://i274.photobucket.com/albums/jj245/Spendauballet/generalPicts/DiscoursesOnArchitecture_002.jpg

      @unknownuser said:

      p26
      LECTURES ON ARCHITECTURE.
      the man to the breast of the quadruped with such perfect address
      that the most experienced critic would imagine he was contem-
      plating a correct and delicate study from nature. The impossible
      becomes so like reality that even now we think of the centaur as
      living and moving, as well known to us as the dog or the cat.
      The physiologist,—Cuvier in hand,—comes and proves that this
      creature, which you know as well as if you had seen it running in
      the woods, could never have existed,—that scientifically, it. is a
      chimera,—that it could neither walk nor digest,—that its two
      pairs of lungs and its two hearts are the most ridiculous of sup-
      positions. Which would be the barbarian, the savant or the
      Greek sculptor ? Neither : but the criticism of the savant shows
      us that Art and the Knowledge of facts,—Art and Science,—Art
      and Civilisation,—may hold their course utterly apart. What
      matters it to me as an artist that a man of science proves to me
      that such a being cannot exist, if I have the consciousness of its
      existence; if I am familiar with its gait and its habits ; if my
      imagination pictures it in the forests ; if I endow it with passions
      and instincts ? Why rob me of my centaur ? What will the
      man of science have gained when he has proved to me that I am
      taking chimeras for realities ? Most certainly the Greeks of
      Aristotle's time knew enough of anatomy to be aware that a
      centaur could not actually exist; but they respected the Arts in
      an equal degree with Science, and would not suffer the one to
      destroy the other,—a sufficient proof, be it observed, that we have
      in them a people which, for us artists at any rate, is not barbar-
      ous. In the statuary of the Greeks, how many irregularities does
      science disclose to us I how many faults does the anatomist
      discover ! Whence then that nobility which casts a halo around
      these works ? How is it that a Greek statue in a museum full
      of competing objects of interest,—though mutilated, out of
      place, in a false light, and mounted on a pedestal often absurdly
      inappropriate,—still maintains an aspect of grandeur which makes
      all neighbouring sculpture seem clumsy and vulgar ? Are we to
      suppose that the Athenian women were all queenlike in their
      mien and in the delicacy and beauty of their forms? Certainly
      not. It was Art that imparted to those forms their inimitable
      air of distinction; by Art, in fact, they were re-created.
      Art, the same essentially, may present itself amongst other
      nations, in a different type of civilisation, provided always that
      it proceeds in the same manner, having its origin in the imagina-
      tion of man, and using nature only as an instrument, with whose
      recondite appliances it must be well acquainted, but of which it
      must not be the slave. The sculptor who created the centaur,
      succeeded in giving his fiction an air of reality, by attentively
      studying the mechanism and the minute details of actual creation.

      Cheers,

      Simon.

      posted in Corner Bar
      simon le bonS
      simon le bon
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