thanks plot-paris. is that a classical roman beauty comment, panda with sensual belly? i heard monalisa has the same. is that true?

oh,Thanks o lot for your comment,its very important for me sorry for my English.So,thanks again

Hi all hoing ahead [image: oPuL_utilitaire.jpg] Thanks for feedback regards

...good model thanks! ... ...small file: 8a.rar

That's nice Phil. The orignal house looks like one of those 1920s 4-squares common in south Mpls and in St. Paul.

I don't know if it is my imagination - but I believe to see a soft shadow of the speakers...

I did the subframe on the Noble, g35 and the Muscle car, the rest I modeled. Including the vehichle mesh/frame etc.

Hmm. Oh well... Thanks a lot for your help. I'm liking kerkythea more and more, it's so easy to use. Not that I tried anything else , but I still like it .

David, these are great. You are very talented. Fix those textures and your renderings will be even better.

I like them both also, but the first one is two fuzzy for me. I like the wavy lines of the second. Maybe a mix of both?

Thanks everyone! @deathcloud said: mam are you a intrior designer or a industrial design artist .. your good This is not my design, I was hired to build a model for presentation. They client only needed a BW, so this was as far as I got. @unknownuser said: Nice Tina. Any updates with color yet? Good question! LOL, no nothing yet, but will update when I do.

is it a real scale model photo?...wow i love the details

sir where do you get your vismats and good components?

brilliant..........

Hi Buzzer, I've seen some of Cully's work, but I don't read any of the books he as worked on. His style sits pretty squarely in the "old/new school" of animation artist I like i.e. David Johnson (aka DevilPig). Bart Sears is the same story, seen his work over the years with JL and Dark Knight. Geoff Darrow on the other hand has been firmly in my "must list" I own most all of his books, own some of his originals, and had the pleasure of meeting and hanging out with him (probably more like stalking), Frank Miller and Mike Allred at Comic Con. All the detail I put into my models might be his "influence", however subconscious. For this project I'd point to; Ron Cobb, Ashley Wood, Bill Barnes, Keith Weesner, Alex Toth, Francois Schuiten, and my good friend John Bell as influences. I certainly have more artist that I love, but those are the ones I point to with regards to Fuel & Fire.

Your windows should also let some light in I guess. Change them to thin glass in Kerky.

thanks a lot guys...and i promise you i will do my next project in PIMP MY RIDE

@durant hapke said: Massive Talent Matteo, I've long believed that sex and creativity are the same thing -- like the strong and weak nuclear forces -- manifestation of the same base need. What about your choice of subjects? Your post makes it sound like a convenience, but perhaps it was more your muse at the wheel. You might have picked a lamp, or over stuffed couch to experiment on, but no, a curve was the order of the day. Durant "bring the 00" Hapke master duraNT, you've centred the point. I hereby invite you to the corner bar. Let's open a thread about the forces that guide our actions. The erotism of some architecture, the subtle line between erotism, porn and sex. What a nice field to explore. Dear HapkE, I sense a great force in your posts. Sadly my english is too poor to catch the ghost, hidden meanings. Although it's a pleasure to read you. Hope to read you soon about the fuchsia Muse. /matteo

Picture 1. The line of trees on the left hand side is too distracting. Way too many people, and they seem to like being in the road when cars are driving around. Picture 2. The trees in this picture are even more distracting. Too many people again. Picture 3. Trees too distracting again. Too many people again. Picture 4. Too many people, but otherwise very good. Picture 5. Really good. The shadow of the tree in the left hand corner looks a little strange in relation to the rest of the picture though. There aren't very many visible shadows in the picture so it stands out. The water in the entrance doesn't look right. The entrance wall with the sign seems to be curved, but the writing seems to be flat and to the left rather than the centre.

@kwistenbiebel said: Thanks Nomer for both the nice image as the short (but really good) how-to explanation. well im glad you understand clearly the explanation. its actually difficult to achieve the gradient in using 3d. for that light whilst i have used 2d image. the only problem of course when you change your viewing angle. unless you or our friend solo has another workaround.