thank you lewis. i'm pretty sure my friend does not mind me showing off his work

here you go:

lighting is pretty simple: the wallcoverings are white fabric, behind that there is a red lamp, so you see on the inside the gradient.
on the tables we had generic table lamps.
above the bars we had these lamps by foscarini.
above the stage between the green "bars" there should be spots, but we did not want to show them.
also if there would have been some dark sport, then there would have been the possibility to hang them from the ceiling.

due to the timelimit we did not emphasize too much on propper lighting, just lighting for the atmosphere of the room. besides the timelimit, we had other restraints too: we live 200 km apart and we both work full-time. we did this in four weeks, sitting at the same table just twice.

thank you james! yes, you are right, it is very modern and clean, and that was also the criticizm... we were supposed to reach young people between 18 and 25, but with this clean look we were more for the persons 25 - 40. oh well...

thank you all for your compliments, i feel like blushing

scott, the sheets were done in adobe illustrator. i would have prefered adobe indesign (as i'm used to it, and it links the pictures, you don't have to place and resize everytime the pictures changes), but as we divided the work and my friend put together the sheets, it was his choice.

i really enjoyed designing in SU (as always) and also like the native, clean look. and i also hope, i have shown my friend, that you CAN work with SU (he is the only one who keeps resisting, hope he reads this )

hello at all!

finally i have done something i can show all! (usually i can't show my works with SU, strict rules from my boss and also from the freelance assignments).

a couple of weeks ago i participated with a friend of mine in a interior design competition. we were to submit a design for a new bar concept for SoCo (maybe bettern known as southern comfort - please do not comment about the beverage )

our concept was basically "bring the street into the bar". we had a marketplace, where everybody can meet, streets to zone the room and also to provide the infrastructure (read here: beverages / bar), and different blocks (like buildings). blocks were seating on bar stools, seating on regular chair-height stools, a pool (seating in a carpeted area with cushions), a stage and lat but not least a set of steps. i think every city should have major stairs, that is where people sit, meet, hang out,...

the designing was done with SU, the final renderings my friend made with cinema. i'm showing you the two final sheets we submitted, plus a few details (straight SU-output).

oh yeah, we made second place

thank you adam for jumping in!

@ ralph: ja, was? ja, du hast es geschafft? kannst du das ergebnis posten?

ich hoffe doch, dass du gruppierst hast?!?

mein weg wäre, alle layer ausschalten bis auf "layer xx", der mit "layer xy" zusammengefügt werden soll. dann strg+A (alles auswählen) und über die eigenschaften den neuen layer auswählen. somit müssten dann alle elemente vom "layer xx" auf dem "layer xy" sein.

zum thema gruppen und layer: das beste ist, wenn die geometrie (also kanten und flächen) auf dem layer 0 sind, und die gruppen auf den jeweiligen anderen layern sind.

hallo sven,

ja bitte, das resultat wäre prima!

EEVA
Gender: Feminine
Usage: Finnish
Finnish form of EVA

EVA
Gender: Feminine
Usage: Italian, Spanish, Portuguese, English, German, Dutch, Scandinavian, Czech, Bulgarian, Slovene, Russian
Other Scripts: Ева (Bulgarian, Russian)
Pronounced: E-vah (Italian, Spanish), EE-və (English), E-fah (German), AY-vah (Dutch) [key]
Latinate form of EVE, and a variant Russian transcription of YEVA.

EVE
Gender: Feminine
Usage: English, French, Biblical
Pronounced: EEV (English), EV (French) [key]
From the Hebrew name חַוָּה (Chavvah), which was derived from the Hebrew word חוה (chavah) "to breathe" or the related word חיה (chayah) "to live". According to the Old Testament Book of Genesis, Eve and Adam were the first humans. She gave the forbidden fruit to Adam, causing their expulsion from the Garden of Eden. Despite this potentially negative association, the name was occasionally used during the Middle Ages. In the English-speaking world both Eve and the Latin form Eva were revived in the 19th century.

or: Breath of Life, "living one", "alive, living". could be worse...

ALIVE AND KICKING!

or: select your objects, right click, in the context menu: mirror > blue, red green axis.

willkommen hier im forum!

ist doch schön, wenn man seine eigenen fragen beantwortet... manchmal hilft auch ein blick in die hilfe.

hast du das probiert mit den linienstärken?

hallo!

wie, du hast das echte modell im layout programm? d.h. du hast es reingeladen?

ja, es gibt im layout, soweit ich weiss, nur die option, als pdf zu exportieren. hast du schon mal probiert, über einen pdf-drucker ein pdf zu erstellen? das programm ist noch in den kinderschuhen, man kann auf die nächste version gespannt sein...

es gibt hier übrigens auch ein eigenes layout-subforum, allerdings nur auf englisch: http://www.sketchucation.com/forums/scf/viewforum.php?f=12
vielleicht helfen die posts dort dir weiter.

in diesem post von sbillingsDC sagt er, dass seine pdfs immer gut rauskommen, wenn er die linienstärke im stile-fenster auf 0,25 setzt.

hilfreich?

solo, you are very scary! that quick? they must be flying from your mouse!

thanks a bunch! meeoowww!

solo, i can only sit here and have my mouth open... awesome! (try finding words, while your mouth is open... )

as gary is my favourite, i would vote for gary (the cat/snail) as the next one!

kenn mich da nicht aus. aber hilft dir dieser thread weiter?

http://www.sketchucation.com/forums/scf/viewtopic.php?f=72&t=9385

go ahead and post this in the CB! i guess only people who are restless can answer this... i stick to SU, i know what it can do and i'm pretty fast. i do not have the time to "play" with other applications, and if i do not have the time, then i guess i will never have the time to apply it either...

that font was/is plain old futura. not condensed, but the regular futura.

martin, das ist meine lieblingstextur! und zwar ist das die ganz normale hauseigene SU-Metall-textur, die ich immer je nach belieben hochskaliere und drehe. sehr praktisch auch um schnell einen spiegel darzustellen...

thank you mike. test? please elaborate...

yes, majid, you are right, the orbit tool acts different if you hold down crtl...