Ahhhhhhhhhhhhh, paneling tools why are you so sweet !!! Yes!

Seems relevant to mention that it took Rhino like 4 seconds to generate those panels....Just saying.

Both planar and 3d panels.

PS. Jeff BZ-Convert in step 2 of your technique. Can you elaborate.

I understand the top and bottom must have equal segments to get the nice/proper quads from the loft, just not sure what role that plays?

I see the beauty of your technique, all about the accuracy.

@unknownuser said:

@pjbazel said:

Jeff, am I missing something your approach makes me feel like Im missing some essential detail or a technical consideration. Have i missed something?

how does it look? it sounds like it looks similar to the (incorrect)example i posted at the top of this page(3) whereas the picture posted in the original post has a pattern of alternating triangles... a pretty big detail both structurally and visually..

V^V^V^V^ and not |||||

(lol at me trying to draw the pattern using the keyboard)

[eDIT]-- oh.. and hey.. i'll be the first to admit, i'm usually pretty damn picky when it comes to detail..
(ie- most of the stuff i draw irl has to then be built.. i can't just draw a sort of shape then start pulling vertices around (ffd style) and say 'ok, that looks about right' then go try to build it.. that would be a nightmare build and it would more likely than not, collapse )

so, when you see the sketchup method i posted on page 2, realize it's an attempt at making properly outlined geometry (systematic geometry? understandable geometry? idk) for building purposes as opposed to viewing purposes)

Ahhhhh, That what I imagined. Your approach at getting the shape seemed so systematic and precise, I figured there was a world of secondary (arguably primary) considerations I was not getting, as a pretty picture maker...hahah

Yes, precise systematic geometry. I get it.

Glad you like, im going to throw a roof on that puppy keep playing.

Can we expect a picture of a wooden version in the next few days?

PS. I also took a run at this.

I used the same technique as gill to get the Basic shape.

Then I use lattice maker but with a depth of 0 to generate a lattice structure with windows (essentialy offset faces) - sure to assign separate colors/textures to the glass and lattice so you can 'select by color' later.

So, I have the 2d structure. From there I just used JPP to get the thickness of the lattice, selecting by color, pulling outward.

I finish the building with JPP, select by color and creative grouping and ungrouping to get proper depth and placement for windows, which are two pane and inset.

Jeff, am I missing something your approach makes me feel like Im missing some essential detail or a technical consideration. Have i missed something?

@unknownuser said:

@unknownuser said:

PS Have you seen the little Conoïde membrane problem?
It's for you!

haha.. i haven't opened that thread yet.. and i better not -- i have some things to do today..
ok.. maybe just a peek

[EDiT].. same thing for that as this.. the conoid membrane is literally a 30 second deal in rhino and that's how i would draw something like that.. since this is a sketchup forum, i'll refrain from posting "use rhino for this" in yet another thread..

Jeff, Please don't refrain from comparing with rhino. Im learning it currently, and Im very interested to see how you attack these problems with Rhino. I've see it on a few threads. Im Very curious how to make the conoid membrane with Rhino. Im really quite new with it.

Plus one for a penalization tool. That would be amazing and bring Sketchup one step closer to parametric type facades!!!

Please ruby masters ?!

Yeah I get it probka. That would be great for cray textured surfaces and such. Did this go anywhere ? Did anyone ever get the technique figured out?

@rich o brien said:

Some tweaks....

[attachment=0:2cc50wdq]<!-- ia0 -->PickPic 2.png<!-- ia0 -->[/attachment:2cc50wdq]

Rich, I'm just curious how you added the offset from the front and back face detail, in order to get the edges tighter. I would assume it was JPP out with 'erase original faces' on, but it looks as though the thickness hasn't changed.

@panixia said:

@pjbazel said:

I found a number of tutorials on multipass comping, mostly which relate to 3ds max.
can you link some of them? i'm curious to know more about this.. i mean i must admit i never understood what reflectionn or gi channels are meant to do.. i only know how to use alpha, mat-id and z-depht, but always wondered about the meaning of all those additional channels..

also were i can find a very basic and proper tutorial about "linear workflow"? is that related to color mapping, gamma, etc?? the tutorial i found about this were always aimed to an intermediate level, assuming you know the basics of this workflow and.. i do not

Panixia, here are some of the better tutorials and vids Ive found. Valero posted one of them already, and if you look at the layers in that vid you can see how they correspond to the final image RGB. If you look at the layers I posted above in comparison to the RGB they do not seem to have the same kind of information. Thats my problem, Valeros too i believe. If you get to multipass in this way let us know if you have a similar issue.

As for LWF, it seems like it should be simple but I never found a single source which definitively clarified exactly how you should proceed from render settings to PS settings.

Here is a great multipass tutorial with tons of info and he even gives you the layers he's working with to follow along.

http://cg.tutsplus.com/tutorials/chaos-group-vray/compositing-v-ray-render-layers-in-photoshop/

This guys page has tons of great videos, some of wich deal with comping and LWF, for sure book mark that one.

http://vimeo.com/vrayguide/videos/page:2/sort:date

More comping from Chaos group, nice and basic

http://vray.info/tutorials/basiccomping/

One of the better postings on LWF

http://www.aversis.be/tutorials/vray/vray-20-gamma-linear-workflow_01.htm

Hope that helps, Should keep you bussy at least

Nice!!

I took my eyes of this thread, didn't think it would see anymore action, but then I come back and wow! Nicely done guys!

Taff: Yes, Fresco, that's where I got the image! I took a screen capture from something I saw on youtube and then forgot where it came from. He's far out! lots of inspiration for modeling. Its funny to think that he uses those little plastic models to communicate his ideas rather than 3d models and renders. They look so dinky, hehe.

Great techniqe Stretching half of the sphere to get the almond shape, while melding with the proper sphere great idea. Ill have to play with that one and try to duplicate it.

also, leave it to the guy with the spinning geodesic as his avatar to make a weed joke...hahahah classic!

**pbacot:**nice refining of the techniqe, thats the closest yet, and who wouldnt want a little extra porche!

Thanks for playing along guys.......I knew there was somthing interesting about this shape, glad to see it gave you a bit of a bug too.