Many thanks, jgb. Don't suppose you can help with the 'filleting' question?

@jgb said:

spogadog asked: Also, how do you DE-select unwanted lines/faces from an area you have clicked and dragged out for, say, re-scaling?

Use the Select pointer/tool but hold both SHIFT and CTRL keys down as you click on unwanted lines or objects. Using only CTRL adds items to selection set, just SHIFT toggles items in selection set.

I couldn't get 'purge unused' to do anything! BTW, is there a quick way of removing unwanted construction lines from a model? After I've done a few 'follow me's and intersections I seem to be spending hours going in and 'pin-boning'/filleting out thousands of lines. Takes ages

Also, how do you DE-select unwanted lines/faces from an area you have clicked and dragged out for, say, re-scaling?

@unknownuser said:

@spogadog said:

At the moment I can't get sketchup to work above crawling speed as soon as import an image to trace. This is despite cropping the shite out of the scanned image and pulling the resolution right down to the lowest setting.
Is this common?

Have you ever "purged unused"

Window....Model info.....Statistics.....Purge Unused button is at the bottom of the window.

Unused images can really Bog things down for you.

Best,
Charlie

I added some meaningless lines (unconnected to the model), hit purge unused and it did nowt. This was with the model fully selected as well. Tried this three times.

Also, still can't attach a drawing to this thing, 'browse' has nothing in it, and you can't type b*gger all in the box!

Can't for the life of me 'lathe' a 12 sided circle either. Not a good SU day!

@unknownuser said:

@spogadog said:

At the moment I can't get sketchup to work above crawling speed as soon as import an image to trace. This is despite cropping the shite out of the scanned image and pulling the resolution right down to the lowest setting.
Is this common?

Have you ever "purged unused"

Window....Model info.....Statistics.....Purge Unused button is at the bottom of the window.

Unused images can really Bog things down for you.

Best,
Charlie

At the moment I can't get sketchup to work above crawling speed as soon as import an image to trace. This is despite cropping the shite out of the scanned image and pulling the resolution right down to the lowest setting. Is this common?

@solo said:

Some of my characters are also created from images I got from a client for a theme park in Japan. Do you first draw the characters before modeling them? If yes, got an image to show?

I'm staring to make pretty good progress now, but am finding sketchup slows alarmingly if I import a scanned profile to follow. Should that be happening?

@alan fraser said:

@jgb said:

Using SU to do what you are attempting is akin to using a screwdriver to hammer nails. Doable, but not well. SU will frustrate you in short order trying to model/manipulate life shapes.
Trust me, I tried....

On the contrary, I've just spent most of this thread so far demonstrating exactly the opposite.
The figure 5th post down was constructed entirely in SketchUp. Sure it takes time if you're constructing it from scratch...but it does in Max or Maya too. Daz or Poser models...even if exported at low-res are MBs in size and almost unusable unless you go in for serious poly-reduction and cleaning up(which can take as long as actually building them yourself.)

I've already demonstrated how to make a head. Justin Chin demonstrates here how to make the rest of the body. This is exactly the way I do it...but with fewer polys. It's basically just a series of layered cylinders which are then manipulated to the correct proportion and angle.

[flash=640,390:29gjob29]http://www.youtube.com/v/ZzDM_JrHCGM?version=3[/flash:29gjob29]

[flash=640,390:29gjob29]http://www.youtube.com/v/8pz7IXpTMMk?version=3[/flash:29gjob29]

Exactly, but these are characters I've designed myself.

@solo said:

Something like this?

I'm actually modelling the cartoon form itself, i.e: a 3D Mickey Mouse, Donald Duck, etc. As previously mentioned, this saves so much time I'm sure I can't be the only person doing this?

Apologies for not being able to show this stuff, but I'm having major problems accessing the Sketchup Warehouse. Having screwed up+++ with the password/username malarkey I now don't know what to do. I was using this facility on an almost daily basis about 8 months ago and could really do with it now. Can anyone help me to start over with it?

@unknownuser said:

Alan's spot on there. Going OTT on components does more harm than good. It's a balancing act at times.

Is it something like this that you're modelling?
[attachment=0:3slleag8]<!-- ia0 -->Mannequin.png<!-- ia0 -->[/attachment:3slleag8]

That's interesting. I'm actually using SU to create virtual mannequins and save time on 'old school' construction techniques (a lot of folk appear to be doing that?). To that end, I'd like to keep the surface detail and contours 'to the max' as much as possible. I know that such an approach can seriously slow down the PC in the construction phase, but are you saying that once these complex shapes have been 'componented' you can effectively have the penny and the bun?

@unknownuser said:

No they're clones that reduce file size because SU only has to know where in 3d space they reside not how much geometry they contain. That's a rudimentary answer without getting too in-depth.

For example make a sphere and group it. Then make 10 copies of that group and save it. Check the file size.

Now make a sphere a component and make 10 copies and save then check the file size.

So if your making a head model half and mirror a component for the other half.

I'm certainly starting to appreciate the significance of overdoing the poly-count. Try as I might, I still find mtself knocking up stuff that is way too complicated. For instance, my latest creation has more faces than Tony Blair, and I've still got the jaw and ears to add!

Today's 'Eejit-special' is on the subject of components. Does Sketchup 'regard' these as less complex entities? I'm just trying to think of ways to avoid over-simplifying my models.

@alan fraser said:

The same head, a little further advanced, then mirrored. 390 faces so far...just about on course for 500 by the time I've added ears and some suggestion of hair.

Right, I've just tried attatching something.....

@jgb said:

"Sub-Divide" is something I never used, in fact (2 actually) never knew about it till I read this thread;
and, I am usually cursed with too much detail and I spend a lot of time reducing complexity.
I get all this extra detail from Intersecting and using Fredo's Curviloft, which, after you get a bit more experience with native SU, you should seriously look at for your curved mesh generation.

As for getting files and pictures loaded into a thread reply; if you look at the bottom left of the reply layout where you see the OPTIONS list, right beside it is the UPLOAD ATTACHMENTS tab. There you can point to the file/pic you want to upload, and add a comment.

Hauptman Beaky.skp

I found all I needed to do was select a facet then click the (brown/mesh)'add detail' icon . I'm assuming this is what was meant by 'subdivide', as the neasrest command I could get to that was 'subdivide selection', which did b*gger-all!

What still perplexes me however, is SU's ready-made sphere which seems to live by its own rules compared to all the other 3D shapes in the programme. Why, for example, does the above 'subdivide-move' not work the sphere? More confusingly: where are the triangular facets with this shape? You can stretch and squash the thing all you like, but its not until you go the next iteration (and beyond)that battalions of our three-sided chums finally show up.

Finally, how do you guys get your models/pictures onto this forum? Please don't say it's via the warehouse, as I've well & trully screwed the whole password/username deal as far as that is concerned.

Thanks for your patience with my ineptness, both of you!

@alan fraser said:

Select the area that you want to be selectively subdivided, group it, then go into the group and use the subdivide script on it. Always remember the maxim that Grouping separates geometry. You can't use Subdivide and Smooth, however...because the smoothing part will distort the edges of the selection and the group then won't connect with the surrounding geometry.[attachment=1:1ni507wb]<!-- ia1 -->heado_thumb.jpg<!-- ia1 -->[/attachment:1ni507wb]

EDIT: After actually playing around with the settings after I wrote the above, it seems that if you follow the above procedure and only then apply smoothing to the geometry (using the Smooth all Connected Geometry tool on the SDS toolbar...not sure what it is in Artisan, as I haven't upgraded) this results in a much less abbreviated perimeter than if you just dived straight in with SDS. This means that you can effectively subdivide and smooth a small part of the model, then reconnect that section to the rest of the geometry with a minimal amount of tidying up. These illustations both used 2 iterations.

Thanks, another 'beneficial nugget'!

Ok, how's about this: you can use the smoove tool on a polygon surface, but it does not appear possible to select and area and then 'add detail'. Try this, and the whole shape gets taken on to the next iteration of 'multifacetedness'?

Do I take it the only way to selectively to increase the number of polygons in a given area is to draw each one in 'manually'? Or is there, perhaps, some means by which you can DE-select an area back by one iteration?

@jgb said:

spogadog said "Thanks for clarifying the 'remote-move' thing. I may be wrong, but this does not seem to work with single points selected. The Move tool stays put, then 'bollocks' you if you try to pull away from it. If this is the case, perhaps the folk at SU could iron out this anomally?"

This is not an anomaly. The move tool must be on the endpoint (vertex) to be moved, as you cannot select an endpoint. You can only select an entity.

However, there is a trick I use when I need to move an endpoint with the "Remote Move" technique.

Draw a short line from the vertex endpoint and away from it ending in space, not connected to anything else in the model. Then select that line and perform the remote move. It will drag the vertex with it. Simply delete that line when done.

So it's like having your cake and eating it: you go minimalist with the facets and SU still pitches in and makes it look nice and curvy? Good oh.

Thanks for clarifying the 'remote-move' thing. I may be wrong, but this does not seem to work with single points selected. The Move tool stays put, then 'bollocks' you if you try to pull away from it. If this is the case, perhaps the folk at SU could iron out this anomally?

The iterations thing also makes sense now. As a matter of fact, I love the way you can create a (cartoon) head out of cubes & pyramids, then transform the thing into soft 3D curves at the push of a button.

Mind you, try going as far as iteration 3 on my PC and the old girl just gives you 5 minutes-worth of the Windows 7 'blue circle, then crashes period!

By the way: how come S.U displays the 'hidden geometry' of its spheres as being composed of squares?

@alan fraser said:

1. Yes, you can preselect one or more lines or faces, then choose the Move tool, then move them...either directly, or from a distance. That is by placing the Move tool directly on one of the selected bits and dragging it...or by simply dragging the move tool along something else entirely in the model, be it a face, edge or axis that happens to be going in the direction you require.
   However you can't preselect a single vertex. As you say, you have to just place the Move tool on it (after making sure you haven't already got something else selected) and just directly drag it.

2. All faces have to be coplanar...completely flat. A rectangle or anything with more sides can only be flat in one very specific circumstance, whereas a triangle is always flat...the three-legged milking stool principle...they never rock, however uneven the surface they're placed on.
   So any time you start monkeying around with the vertices of a polygon greater than a triangle, it will either refuse to go in the direction you want it to (because that would entail ceasing to be coplanar) or (if you hold down Alt while moving..to envoke autofold) it will go in the direction you are after, but will create the necessary autofold lines to enable it to do that.

3. I already described the 'nifty trick'...preselecting stuff, then running the Move tool along an edge or face somewhere else in the model that happens to be going in the right direction.
   A variation of this can be used with the Rotate tool...preselecting what you want to rotate then finding a face that is perpendicular to the axis of rotation that you require, placing the Rotate tool on that surface, locking that angle with Shift, then moving the Rotate tool to the desired centre of rotation, then doing the business.

4. Hidden geometry is just that...hidden. You can either hide a line (Shift + Eraser) in which case it will hide, but the hidden edge will still remain sharp...there will be a noticeable angle between the two adjacent faces that it separates. OR you can smooth a line (Ctrl + Eraser or the smoothing dialog from the context menu). This will visually 'blend' the two adjacent faces into a single apparently curved surface (but it's just a visual trick...they are still separate and individually coplanar.)
   If Hidden geometry is turned off, both lines will appear to disappear. However a hidden line will stay hidden permanently, whereas a smoothed line will reappear if you orbit the model so that it reaches the edge of the object and you are viewing it tangentially.
   Hidden Geometry in the View Menu simply turns existing hidden geometry on and off...visually.
   Subdivide and Smooth actually creates more geometry by subdividing what you've already got.
   The iterations refer to the number of times you want to do this...ie subdivide the subdivisions.

NOTE: SDS is not the same as triangulating...which is why I tend to manually triangulate many things. If you manually triangulate the faces of a cube, you'll go from 6 to 12. If you SDS a cube with even just one iteration, it will divide each face into 4, then triangulate those 4 faces giving a total for the whole cube of 48.

The facetting on my faces is just pure skill and awesomeness.
Actually, you'd be surprised how much you can achieve with comparatively few faces. When you are using so few, it's also fairly critical which direction many of the diagonals run in...triangulate a 'square' in the wrong direction and it can look completely different. Luckily we have the Flip tool to correct that.
As an example of how subtle you can be with very few faces, here's the same head again with a few vertices tweaked, resulting in the head going from caucasian to oriental. The eyes have been changed largely by the addition of an epicanthic fold, hiding the upper eyelid.
Of course you have to know your way around human anatomy to do this kind of thing. You have to be able to draw convincing people on paper. SU is a tool, not a magic wand.

@spogadog said:

@alan fraser said:

No tutorials as such, but I've found the best way is to help the movement by holding down Alt (to force autofolding...as it's often difficult in a complex mesh to see whether a point can move in a given direction without such help) then as soon you've got it moving on the required colour axis, hit Shift to lock it on that axis while you fine tune the distance. You might have to orbit a little to prevent it from shooting off wildly.

Thanks Alan, starting to make sense at last!

Couple of points:

• I'm finding that if I choose the 'move' icon and THEN click on an end-point I just get that point - and can pull out little 'pyramids'. If, conversely, I select a line (or a point) and chose 'move' AFTERWARDS, I always/only select that line. Is this what's supposed to happen?

• I've added an extra line or two to the polygon matrix (or whatever it's called!), effectively creating the odd triangle here and there. Does SU take this as a cue to add polgons across the board? This seems to be the case, as everytime I click on 'show hidden geometry' there are more and more of these little triangles! I'm just mindful of your sage words re: total polgon count and the crippling effect this can have on overall processing speed.

• What was the 'nifty little trick' that allows you to move back from the face of the model and manipulate the polygons from a distance. For a while, I found this was happening by accident, but I can't get it to work when I want it to!

IM

I'm having to add this to my own post as I can't for the life of me find out where you add a new question on this thing. Perhaps it's my own (crappy) PC that's to blame? Either that or there's a virus in this thing that (among other things) makes you 'type blind' when you reach the bottom of the page. Very annoying, that.

Whatever, my question is this: what's the difference between 'Hidden Geometry'; 'Subdivide & Smooth' and Iterations?

Alan's 3D head seemed to consist of very few actual 'facets', yet there was claerly 'a lot more going on' than the simple framework would suggest.

IM
n

@alan fraser said:

No tutorials as such, but I've found the best way is to help the movement by holding down Alt (to force autofolding...as it's often difficult in a complex mesh to see whether a point can move in a given direction without such help) then as soon you've got it moving on the required colour axis, hit Shift to lock it on that axis while you fine tune the distance. You might have to orbit a little to prevent it from shooting off wildly.

Thanks Alan, starting to make sense at last!

Couple of points:

• I'm finding that if I choose the 'move' icon and THEN click on an end-point I just get that point - and can pull out little 'pyramids'. If, conversely, I select a line (or a point) and chose 'move' AFTERWARDS, I always/only select that line. Is this what's supposed to happen?

• I've added an extra line or two to the polygon matrix (or whatever it's called!), effectively creating the odd triangle here and there. Does SU take this as a cue to add polgons across the board? This seems to be the case, as everytime I click on 'show hidden geometry' there are more and more of these little triangles! I'm just mindful of your sage words re: total polgon count and the crippling effect this can have on overall processing speed.

• What was the 'nifty little trick' that allows you to move back from the face of the model and manipulate the polygons from a distance. For a while, I found this was happening by accident, but I can't get it to work when I want it to!

IM

@alan fraser said:

The same head, a little further advanced, then mirrored. 390 faces so far...just about on course for 500 by the time I've added ears and some suggestion of hair.

One of my replies appears to have been gobbled up in the ether. Here goes again. Are there any tutorials which shed light on how to 'pull' lines and points out of these polygon frameworks accurately and predictably? Mine are shooting about all over the place.

@alan fraser said:

You can model people as real as you like; but you'll need to do any sophisticated mapping in other software.

That's fantastic, Alan. As a matter of fact I'm not bothered about surface-rendering, it's a poseable mannequin I'm trying to create.

My issue is where do you start with such a complex shape? I sat here last night and (eventually) managed to cobble together an upper and lower lip. I achieved this by creating a lip profile which I then extruded as a solid, shrank, re-angled, extruded, shrank, etc. I can see that if I continued with this method the best I could hope for would be a Kryten-like blockhead: all slabs and facets.

Yours, however, looks fantastic and is much more organic. Don't tell me, it's all down to 'rubies' and 'plug-ins'?

Thanks Rich, but how do I do that? There's no link here

Just wondered if any of you guys have used SU to create life-like human heads? I'm not sure if the 'standard' SU set up is capable of doing this, but I'd be interested to know if anyone has taken this to an advanced level?

Spog