Well, they seem to be successive additions, without a straightforward plan. For instance, the corridor between the hexagonal building and the basilica has a rather important role, but gets to be 70 cm. narrow. The plan is there to see, and I had to respect it.
One of the main differences with Carandini's reconstruction is in the other apse. I imagined a sort of open air theatre, with the courtyard of the older house as spectators area, and a row of decorative columns as the limit of the scene.


























