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    Flood Light night shot - Maxwell

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    • K Offline
      KarinaGM
      last edited by

      Nice image. I really like it
      Instead of a flash you could fake the lights of a car arriving home.
      That is the feeling I get when I see the image.
      I almost expect to see the front of a car apearing from the right

      **"Aquel que sacrifica un poco de libertad por seguridad, no se merece ninguna y terminará perdiendo ambas"

      -Benjamín Franklin.**

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      • olisheaO Offline
        olishea
        last edited by

        great work as always richard 👍 very polished

        oli

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        • RichardR Offline
          Richard
          last edited by

          @olishea said:

          great work as always richard 👍 very polished

          Need to start using that fur plug for the grass though!

          [BUILTBRAND.COM.AU](http://builtbrand.com.au/)

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          • R Offline
            Roger
            last edited by

            It feels like a movie scene just before the SWAT team fires tear gas through the window. Skillful as always, but dramatically sinister.

            http://www.azcreative.com

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            • FrederikF Offline
              Frederik
              last edited by

              Have to agree with Roger...
              I know you're very talented, Richard, but this just doesn't appeal to me...

              Cheers
              Kim Frederik

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              • Bryan KB Offline
                Bryan K
                last edited by

                Very nice.

                See my portfolio at https://delphiscousin.blogspot.com/

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                • RichardR Offline
                  Richard
                  last edited by

                  @frederik said:

                  Have to agree with Roger...
                  I know you're very talented, Richard, but this just doesn't appeal to me...

                  Mate same for me, not at all what I like! I like calm, inviting - the need to be almost daylight descriptive of the material finish (as demanded) sort of overdoes it, I even actually prefer a loss af materials on a "don't know what the colours are" outcome, leaves to imagination!

                  [BUILTBRAND.COM.AU](http://builtbrand.com.au/)

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                  • daleD Offline
                    dale
                    last edited by

                    @richard said:

                    Hey ALL!

                    Found cool trick when setting this scene, to set a flash at the camera I used SU's create camera feature then added an emitter to the camera and deleted the camera geometry. the result is a flash! I then copied this group around for the other emitters and could see from their cameras where the light would be directed! If you set that cameras FOV to 1 you almost have an exact view of what any foreground objects shadow cast will be as created by that light!

                    Wow Richard if this works as you say, it's a great trick.

                    Just monkeying around....like Monsanto

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                    • RichardR Offline
                      Richard
                      last edited by

                      @dale said:

                      @richard said:

                      Hey ALL!

                      Found cool trick when setting this scene, to set a flash at the camera I used SU's create camera feature then added an emitter to the camera and deleted the camera geometry. the result is a flash! I then copied this group around for the other emitters and could see from their cameras where the light would be directed! If you set that cameras FOV to 1 you almost have an exact view of what any foreground objects shadow cast will be as created by that light!

                      Wow Richard if this works as you say, it's a great trick.

                      Yes mate works perfectly, there is a bit of buggering around to get the FOV 1 thing working though!

                      I'm now going try and set up a test so I can workout the light falloff (I think it's called - the cone effect of the light) created by my side blinker things around my emitter panels, then I can just use the scale tool to effect this aspect. Using the camera guides as demonstrating the bounds of the effect so this camera / emitter setup will allow easy location / alignment and near perfect visual assessment of the results. Without realtime feedback of lighting this is currently SO hit and miss and time consumptive!

                      [BUILTBRAND.COM.AU](http://builtbrand.com.au/)

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                      • artysmediaA Offline
                        artysmedia
                        last edited by

                        Like the render but a little sinister! 💚 👍

                        Working with: Win7 64 bit OS - Core i5 - 2,27GHz and 8GB RAM

                        Blog: Artysmedia

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