Orgelf's works. second topic.

[pilou]

Il y avait longtemps que je n'étais pas passé par ici! Excellent!
Comme je suis né à l'Hôtel Dieu, je suis particulièrement touché par le bouquin sur Notre Dame!
J'ai entendu sonner les douze coups de minuit! Bravo!
Je me demandais combien de temps tu allais résister aux Ai!
Je te conseille la fonction Mix de Vizcom directement dans le "Workbench" (même une seule image en Drag & Drop suffit
Et on obtient des variations à tomber à l'infini! (c'est gratuit en plus)

[orgelf]

@mike-amos my pleasure

@pilou Merci Pipile . Oui, l'IA promet le meilleur comme le pire. . Je ne savais pas pour l'Hotel Dieu, je ferai une petite génuflexion la prochaine fois que je passe devant.

Facing the horsemen of the Apocalypse, I will place a character, the knight Silence.
This character will be a musician. The final version will be with a harp I think.
For fun, I made him an organ from a cabinet in the Denver museum. Photos taken by my friend Ross, a big thank you to him.
The first 3 images were made by AI from my 3d renderings. 95% moderating with Sketchup.
You can download them in large at this link https://www.mediafire.com/file/ul9a3f67r4wh42d/OrgueSilence.zip/file

IA pictures from my renders

Beauty renders

Clay renders

The references

[Mike Amos]

Magic.

[orgelf]

@mike-amos thanks a lot

text IA
For my Knight Silence project, I worked this time on a proposal for an equestrian statue.
The idea was not to create a realistic horse, or even a simple stylized horse. The animal is deliberately surrealist: it retains the nobility and posture of a classic equestrian statue, but its anatomy is out of place, almost impossible, as if the silence itself had distorted the shape of the horse. He becomes a ceremonial creature, at once a mount, a reliquary and an apparition.
The material evokes a light, ancient, slightly worn stone, like a sculpture that has already stood the test of time. I like this contrast between the very traditional monumentality of the base and the strange, almost mental, character of the animal.
An important detail is found on the cast of the saddle: an illuminated letter S, for Silence. I wanted this sign to be not just a logo, but almost a heraldic mark, a discreet clue that connects the statue to the world of the character.
I then integrated this 3D rendering into a scene in the Tuileries Gardens, on a beautiful summer day. The Parisian décor, luminous and very real, allows us to measure the discrepancy: an impossible sculpture, but installed as if it naturally belonged to the public space.
Personal 3D project — rendering and integration around the Silent Knight.
Sculpted with Nomad/Ipad, then Zbrush. Some elements have been made with sketchup.
First AI-generated image from a 3d rendering.
Larger on these links
Last image, AI-generated references
https://zupimages.net/up/26/22/sq5e.jpg
https://zupimages.net/up/26/22/dxgp.jpg
https://zupimages.net/up/26/22/fhzd.jpg
https://zupimages.net/up/26/22/2cx2.jpg
https://zupimages.net/up/26/22/vh39.jpg

References by IA

IA picture from a 3d render

3d renders

[pilou]

Un remake du cheval de César (le sculpteur) (en plus académique
Pour ton orgue du chat tu ne peux rater le mien! https://moiscript.weebly.com/ziclaviers.html

[orgelf]

Merci Pipile, on peut voir ça comme ça en effet

The Celestial Harp — Knight Silence project

Here are some early 3D renders of the harp designed for my character, the Knight Silence.

The figure in the center is only a temporary mannequin for now. It is there to show the scale of the instrument and where the knight will stand in relation to it.

The harp floats around the character like a sacred architecture: part musical instrument, part reliquary, part celestial mechanism. Its structure is complex, almost chaotic, with blades, tensions, hidden connections and ornamental fragments that seem to follow a logic we cannot fully read.

The instrument has three layers of strings, each one acting on a different spiritual layer. The idea is not simply that the knight plays music, but that the harp allows him to act upon invisible planes: matter, soul, memory and fate.

I imagine it as a kind of celestial chaos: not pure disorder, but a system of divine mechanisms, laws and hidden forces that remain beyond human understanding.

The harp was created using Nomad on iPad, SketchUp, ZBrush and Blender.

Bigger sizes here

https://zupimages.net/up/26/23/ohe5.jpg
https://zupimages.net/up/26/23/qois.jpg
https://zupimages.net/up/26/23/8cda.jpg
https://zupimages.net/up/26/23/weab.jpg

[pilou]

Hé dis donc ton site n'est pas sécurisé il faut que tu te débrouilles pour le passer en https sinon les navigateurs ne te chargent pas!

[orgelf]

Solved. Some DNS issues. Thanks Pipile

[Mike Amos]

Cracking. Always innovative and spectacular in execution. Tres bon.

[orgelf]

Merci beaucoup Mike. Thanks a lot

The Knight Called Silence, the final version.

The first three images were generated with AI from 3D renders.
You can download the high-resolution images here:

AI text, edited by me.

For some time now, I have been developing a 3D project around the Knight Called Silence, as a counterpart to the Four Horsemen of the Apocalypse I created previously.

Silence is an ambiguous character, somewhere between a medieval figure, a sacred apparition, and an almost mechanical being. In the legend, Silence is a woman raised and presented as a man: I wanted to preserve that tension in the design, with an androgynous, hieratic silhouette that is difficult to classify. The armor is not merely protection: it becomes a second skin, a ritual object, almost alive.

Around the character, I am building an entire universe.

First, there is the Celestial Harp, an immense structure surrounding the knight. It is not conceived as a simple instrument, but as a spiritual machine: its different layers of strings act on several invisible levels of reality, the Celestial Spheres. It represents a form of divine chaos, a system whose laws exist but remain hidden from humans.

The project was created in 3D using several tools: Nomad Sculpt on iPad, SketchUp, ZBrush, and Blender.

Silence is not merely a knight. It is an apparition. A calm force. A figure of passage between the visible and the invisible, between gender, the sacred, war, music, and metamorphosis.