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    • S Offline
      sorgesu
      last edited by

      Tina, these are really amazing. They have such a wonderful quality.
      If you are looking for critique, in search of perfection, it is possible to push one's self and try and find something.
      I have to agree with Mike's comment about the surrounding trees. They are too bright a colour and contrasty and steel from the focus of the building.

      I also agree about tree in front of the doorway. It does obscure. Being semi-transparent really doesn't change that and I have a personal problem with semi-transparent trees anyway. I know it is done in architecture, but I really don't think it is necessary and frankly, its a weird convention. If the tree is really going to obscure something important, use a skimpier tree. Otherwise, if it is just more brick, we get the idea and there is no reason to go transparent.

      In this one the tree actually obscures the doorway and 90 percent of the time the focuse of these renderings should be the doorway. Inviting one in so to speak. Therefore the greatest area of contrast should always be arranged to be at the door. This door is a little too dark and obscured. In fact the window to the left is more contrasty.

      But that was just pushing an academic critique. The overall execution is masterful, the moode delightful the technque wonderful.

      Susan Sorger
      Former Seller Hand Rendered Entourage
      Former Canadian Authorized Training Centre, SketchUp

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      • N Offline
        Nick W
        last edited by

        brilliant! love the color, love the detail.

        ps - susan, great critique. I learned a lot from that. πŸ˜„

        http://www.nrwiesneski.com

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        • T Offline
          tomislavm
          last edited by

          Nice and warm job Tina!

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          • B Offline
            bytor
            last edited by

            Tina!

            Absolutely wonderful work - I so enjoy your style. πŸ‘ πŸ‘ I think Susan's critique is right on, and I benefitted from looking at you images again to see what she was describing. I hope it was received well because it was very helpfull.

            Bytor

            Find the Cost of Freedom.....

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            • tinanneT Offline
              tinanne
              last edited by

              @mike lucey said:

              PS: This is really excellent work for a woman πŸ˜‰

              Mike, good thing you live so far away πŸ‘Š kisses

              Executive Director : American Society of Architectural Illustrators
              AIP 30 Competition opens soon. ASAI.org

              Architectural Rendering

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              • tinanneT Offline
                tinanne
                last edited by

                @sorgesu said:

                I have to agree with Mike's comment about the surrounding trees. They are too bright a colour and contrasty and steel from the focus of the building.

                Yes, I agree... I should have made those darker. Thanks for reminding me of that, both of you πŸ˜„

                @sorgesu said:

                I also agree about tree in front of the doorway. It does obscure. Being semi-transparent really doesn't change that and I have a personal problem with semi-transparent trees anyway. I know it is done in architecture, but I really don't think it is necessary and frankly, its a weird convention. If the tree is really going to obscure something important, use a skimpier tree. Otherwise, if it is just more brick, we get the idea and there is no reason to go transparent.

                In this one the tree actually obscures the doorway and 90 percent of the time the focuse of these renderings should be the doorway. Inviting one in so to speak. Therefore the greatest area of contrast should always be arranged to be at the door. This door is a little too dark and obscured. In fact the window to the left is more contrasty.

                I totally agree, in this case it was specified by the client that these trees were there and the he would not agree to a change in angle, so..... darn clients πŸ˜‰

                @sorgesu said:

                But that was just pushing an academic critique. The overall execution is masterful, the moode delightful the technque wonderful.

                Thank you Susan, you know how much I appreciate your input. It is always so valuable!

                And thank you to everyone else as well!!

                Executive Director : American Society of Architectural Illustrators
                AIP 30 Competition opens soon. ASAI.org

                Architectural Rendering

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