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    NPR Style Method [Tutorial]

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    • L Offline
      Landie
      last edited by

      Thanks Ken...and Pete, you're right.... setting 6 in Kerkythea. It renders very quickly but gives exactly what I need for the later stages.
      This is an impressionist style and so no need to push the render too far toward PR.

      http://www.smithdimes.co.uk

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      • A Offline
        andre51
        last edited by

        Hi Landie

        Great of you to share - images a very good!

        Can you tell us a bit more of what cloner brush/paper settings you use in painter?
        I don't know painter that well so any help will be appreciated.

        Regards

        Andre

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        • L Offline
          Landie
          last edited by

          @andre51 said:

          Can you tell us a bit more of what cloner brush/paper settings you use in painter?
          I don't know painter that well so any help will be appreciated.

          Hi Andre. I prepare a flattend psd file 300dpi at about 2200 pix wide. This works well for the brush heads in painter. Too big a file and the brush stroke drags and the marks are a little out of scale for me.
          So open the image in painter > file menu > clone. A new image is created called clone of whatever. In the Select menu > All > Edit menu > Clear. The new clone image is gone and you have a blank white sheet. The original image to clone is still on screen behind your blank sheet. Go to the side toolbar and to the square icon for paper selection. Here I usually go for Artists Canvas. now you're ready to paint.
          Now I go to the Window menu > Color palettes > Show colors. This pop up has an important button on it in the shape of a rubber stamp. to clone paint the image behind, whatever brush you use this stamp needs to be clicked on.
          Now go to the Window menu > Show layers. Leave this pop up on your screen and straight away add a new layer to work on. I would'nt bother with watercolour layers to begin with.
          Now choose your brushes from the brush category selector at the top and have fun. I usually mix and match oil pastels, airbrushes, pencil, blenders etc. Add a new layer for each type and build it up.
          Let me know how this works for you and I'll post a second explanation of brushes.

          http://www.smithdimes.co.uk

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          • majidM Offline
            majid
            last edited by

            πŸ‘ great,cool, creative sight and simple tip, thanx mate:)

            My inspiring A, B, Sketches book: https://sketchucation.com/shop/books/intermediate/2612-alphabet-inspired-sketches--inspiring-drills-for-architects--3d-artists-and-designers-

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            • A Offline
              andre51
              last edited by

              Thanks Landie

              Clear and concise. Going to be a great help.

              Regards

              Andre

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              • utilerU Offline
                utiler
                last edited by

                Nice work, Landie.
                Just wondering why you chose to compose the scene in PS and not add entourage in SU? File size?

                I just find that its a bit more with the initial medium....

                purpose/expression/purpose/....

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                • L Offline
                  Landie
                  last edited by

                  @utiler said:

                  Nice work, Landie.
                  Just wondering why you chose to compose the scene in PS and not add entourage in SU? File size?

                  I just find that its a bit more with the initial medium....

                  Thank you. I work this way becouse it allows me a lot more freedom with composition. Especially with the people. I can reposition things until I'm happy, without having to go through the rendering process each time. It is also a lot quicker to amend if later on the client wants extra people or another tree for instance. I also like to keep the 3D clear of people as what works with one view of the building may not with another. I think working 3D is fantastic and I couldn't do without it, but there is still a lot better done 2D

                  http://www.smithdimes.co.uk

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                  • pilouP Offline
                    pilou
                    last edited by

                    Cool workflow β˜€

                    Frenchy Pilou
                    Is beautiful that please without concept!
                    My Little site :)

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                    • D Offline
                      D-space
                      last edited by

                      Cool work! πŸ‘
                      Seems like preset 6 are getting popular for KT, but the "Thea" on the final composite is confusing. πŸ˜‰

                      http://blibestmentalt.no/54981

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                      • L Offline
                        Landie
                        last edited by

                        @unknownuser said:

                        Cool workflow β˜€

                        Thanks

                        @d-space said:

                        Cool work! πŸ‘
                        Seems like preset 6 are getting popular for KT, but the "Thea" on the final composite is confusing. πŸ˜‰

                        Yeah, thats me....confused. You are right of course, should be Kerkythea not Thea

                        http://www.smithdimes.co.uk

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                        • L Offline
                          Landie
                          last edited by

                          Hi. Just to say that all the NPR entourage at add life is now only Β£2.00 GBP for 20 and totally royalty free.

                          http://www.smithdimes.co.uk

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